2019/2020 COC Ensemble

ENSEMBLE STUDIO

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The COC Ensemble Studio is Canada’s premier training program for young opera professionals. Since the inception of the program in 1980, over 230 young professional Canadian singers, opera coaches, stage directors and conductors have acquired their first major professional operatic experience through the Ensemble Studio. Former members include Ben Heppner, Isabel Bayrakdarian, John Fanning, Wendy Nielsen, Joseph Kaiser, David Pomeroy, Allyson McHardy, and Krisztina Szabó.

The members of the Ensemble Studio are the COC’s resident artists and important ambassadors for the company. The COC’s pioneering, collaborative approach to training ensures that  singers receive a blend of advanced study and practical experience through an individually tailored, multi-year program, involving understudying and performing mainstage roles, intensive vocal coaching, language, movement and acting studies, and career skills development, as well as participation in masterclasses with internationally renowned opera professionals. Intern coaches participate in the preparation of the company's mainstage productions, as well as art song recitals and Ensemble Studio performances.

The Ensemble Studio is chosen through a national audition process which culminates in the Ensemble Studio Competition, the feature event of the COC’s annual fundraising gala Centre Stage.

Competition and Audition

THE COC ENSEMBLE STUDIO COMPETITION

The Ensemble Studio Competition is an awe-inspiring showcase for emerging Canadian talent, hoping to follow in the footsteps of Ensemble Studio graduates such as Ben Heppner, Isabel Bayrakdarian, Joseph Kaiser, Wendy Nielsen, John Fanning, and many more. Finalists in the Ensemble Studio Competition perform from the mainstage of the Four Seasons Centre, accompanied by the internationally acclaimed COC Orchestra conducted by COC Music Director Johannes Debus. This year’s Ensemble Studio Competition will take place on Wednesday, October 30, 2019.

The competition was launched in 2011 by COC General Director Alexander Neef to showcase the operatic talent the COC had scouted from across the country and create a public platform for celebrating the future of opera in Canada. With the creation of Centre Stage in 2013, the competition was moved from the intimate setting of the Richard Bradshaw Amphitheatre at the Four Seasons Centre for the Performing to R. Fraser Elliott Hall, opening the Ensemble Studio Competition to an audience of over 1,000 guests.

The annual Ensemble Studio audition process, open only to Canadian citizens and permanent residents, takes COC artistic staff across Canada for preliminary auditions, followed by a final callback audition at the COC’s Joey and Toby Tanenbaum Opera Centre in Toronto. It’s from this pool of singers that finalists are selected for the Ensemble Studio Competition.

APPLYING FOR THE ENSEMBLE STUDIO

Thank you for your interest in the Canadian Opera Company. Click here to view repertoire and video submission guidelines.


Audition Schedule

Round 1: Video submissions

August 7:  application available on coc.ca

September 3:  deadline for submissions

Round 2: Live auditions

September 22: Montreal auditions

September 27: Calgary auditions

September 30 - October 4: Toronto auditions

Round 3: Competition/Centre Stage Gala

October 26 - 29: Toronto callbacks

October 30: Competition and Centre Stage Gala

*Eligibility

APPLY NOW 

 



Nous vous remercions de l’intérêt que vous portez à la Canadian Opera Company (COC). Cliquez ici pour accéder aux procédures de soumissions d’auditions par enregistrements vidéo.

Calendrier d’auditions

Premier tour : Soumissions de vidéos

7 août : Les formulaires d’inscription sont disponibles sur www.learn.coc.ca

3 septembre : date limite de soumissions.

Deuxième tour : Auditions 

22 septembre : Auditions à Montréal

27 septembre : Auditions à Calgary

30 septembre - 4 octobre : Auditions à Toronto.

Troisième tour : Gala Centre Stage

26-29 octobre : Rappels à Toronto

30 octobre : Concours de Gala Centre Stage

*Admissibilité

APPLIQUER MAINTENANT 

CURRENT MEMBERS



Joel Allison – Bass-baritone

Joel Allison, from Ottawa, earned his Master of Music in opera performance from the University of Toronto and, in 2019, placed second in the Christina and Louis Quilico Awards. Joel has performed with the National Arts Centre Orchestra, Theatre of Early Music, Saskatoon Symphony, Orchestre Classique de Montréal, and Tafelmusik Baroque Orchestra. His recent credits include Schaunard in La Bohème, Superior Senator in Hadrian, and Zaretsky in Eugene Onegin (COC), Leporello (Don Giovanni) with Westben Arts Festival and Don Basilio (The Barber of Seville) with Saskatoon Opera. As a member of the Young Singers Project at the Salzburg Festspiele, he sang in the world premiere of Das Zauberinsel (Lange). This season with the COC, Joel is a Mandarin in Turandot, Fiorello in The Barber of Seville and Peter in Hansel & Gretel (Opera for Young Audiences). His upcoming concert engagements include Bach’s B Minor Mass with Symphony Nova Scotia.



Matthew Cairns – Tenor

One of CBC’s 2019 “Top 30 Under 30,” Toronto-based tenor Matthew Cairns was the First Prize winner of the 2018 Ensemble Studio Competition and winner of the CBC Music Young Artist Development Prize. He earned his master’s degree in opera performance at the University of Toronto (UofT), where he studied with Dr. Darryl Edwards and performed numerous roles including Count Belfiore in La finta giardiniera; Sam Kaplan in Street Scene; John P. Wintergreen in Of Thee I Sing and Sam Sharkey/German Lumberjack in Paul Bunyan. Other credits include Don Ottavio in Don Giovanni (Centre for Opera Studies in Italy [COSI]/UofT Opera); Gherardo in Gianni Schicchi (COSI); Liberto in The Coronation of Poppea (Opera Theatre of Saint Louis) and Detlef in The Student Prince at the Chautauqua Institution, where he placed first in its Sigma Alpha Iota Competition. Cairns can be seen in the COC’s 19/20 season as The Prince of Persia in Turandot, the Gamekeeper in Rusalka, the Messenger in Aida, and the Witch in Hansel & Gretel (Opera for Young Audiences).



Vartan Gabrielian – Bass-baritone

Toronto-born bass-baritone Vartan Gabrielian recently completed his master’s degree in vocal performance at the Curtis Institute of Music, where his credits include the title role in Sweeney Todd, Prince Gremin in Eugene Onegin, Doc in A Quiet Place, Groves in Doctor Atomic, Collatinus in The Rape of Lucretia, Bartolo in The Marriage of Figaro, and Colline in La Bohème. He has also appeared as Sparafucile in Rigoletto (Opéra de Montréal/New Jersey State Opera), Sarastro in The Magic Flute (Chautauqua Summer Festival), and a Cappadocian in Salome (Detroit Symphony Orchestra). In 2018, Mr. Gabrielian was a Santa Fe Opera Apprentice, as well as the recipient of a Metropolitan Opera National Council Encouragement Award. This year, he makes his role debut as Leporello in Don Giovanni with Curtis Opera Theatre. His roles this season with the COC include the Hunter in Rusalka and the Officer in The Barber of Seville.



Simona Genga – Mezzo-soprano

One of CBC’s 2018 “Top 30 Under 30,” Toronto native Simona Genga completed her master’s degree in opera at the University of Toronto, where she was the recipient of the 2017 Norcop Recital Prize. An avid interpreter of art song, she is also the recipient of the Elora Festival Recital Prize and fellowships at the Franz Schubert Institute and Ravinia Steans Music Institute. She was granted First Prize and the Audience Choice Award at the 2017 COC Ensemble Studio Competition. Now in her second year of the Ensemble Studio, Ms. Genga can be seen this season at the COC in the roles of Berta in The Barber of Seville, Priestess in Aida, and Gertrude in Hansel & Gretel (Opera for Young Audiences [OYA]). Other credits include Cindy in WOW Factor: A Cinderella Story (OYA); Second Maid in Elektra (COC); and Annina in La Traviata (Opera Theatre of Saint Louis).



Jamie Groote – Mezzo-soprano

Mezzo-soprano Jamie Groote earned her master’s degree in opera performance at the University of Toronto (UofT). Her recent credits include Page in Rigoletto (Opera Theatre of Saint Louis [OTSL), Donna Elvira in Don Giovanni (UofT Opera); Nicklausse in The Tales of Hoffmann, Komponist in Ariadne auf Naxos and Fox in The Cunning Little Vixen (Wilfrid Laurier University Opera); and Roméo in I Capuleti e i Montecchi (Opera NUOVA). She has also been a Gerdine Young Artist with OTSL, a Bonfils-Stanton Foundation young artist with Central City Opera, and has attended Houston Grand Opera’s YAVA, Opera in the 21st century at the Banff Centre, and Opera NUOVAGroote can be heard in the COC’s 19/20 season as the Second Wood Nymph in Rusalka and Hansel in Hansel & Gretel (Opera for Young Audiences).



Rachael Kerr – Pianist and intern coach

Rachael Kerr has served as rehearsal pianist for COC productions of HadrianElektra, La Bohème, The Elixir of LoveRigoletto, and The Nightingale and Other Short Fables. She has held staff pianist positions at the Banff Centre and Orford Musique, and served as rehearsal pianist for the Toronto Symphony Orchestra in numerous projects, including world premieres by Brett Dean, Vincent Ho, and Gary Kulesha, and other projects such as Britten’s War Requiem, Wagner’s Die Walküre, Mozart’s Requiem, Shostakovich’s Symphony No. 13, and Weill’s Seven Deadly Sins. Ms. Kerr holds a doctorate from Northwestern University. This season, she returns as a rehearsal pianist for COC productions of Turandot, Hansel & Gretel, The Barber of Seville, and Aida. She will also be featured in a recital tour under the auspices of Jeunesses Musicales Canada, premiering a new song cycle commissioned by the Canadian Art Song Project, as well as taking on the musical direction of Against the Grain Theatre’s Figaro’s Wedding.



Lauren Margison – Soprano

Toronto-born soprano Lauren Margison is a graduate of the Atelier Lyrique de l'Opéra de Montréal, where her roles included Clorinda in La Cenerentola and Missia in Atelier Lyriqueʼs production of La Veuve joyeuse. She was a First Prize winner of the 2018 George London Competition, and was also the youngest finalist in the Meistersinger von Nürnberg competition in 2016. Her recent credits include Principal Fée in WOW Factor:A Cinderella Story (Opera for Young Audiences [OYA]) and the Trainbearer in Elektra (COC); Micaëla in Carmen (Brott Music Festival), Fiordiligi in Così fan tutte and Suor Angelica in Suor Angelica (Highlands Opera Studio) and an appearance in concert with the PRISMA Festival in Straussʼs Four Last Songs. Ms. Margison has also performed with the Cincinnati Pops Orchestra and the Toronto Jazz Festival. At the COC this season, she can be seen in the role of the Sandman/the Dew Fairy in Hansel & Gretel (OYA) and she makes her Pacific Opera Victoria debut in the role of Micaëla in Carmen.



Anna-Sophie Neher – Soprano

Gatineau, Québec native Anna-Sophie Neher completed her Master of Music degree at McGill University where she won the prestigious Wirth Vocal Prize. She has also studied at Bard College and the Montreal Conservatory. Winner of the First Prize at the 2019 Christina and Louis Quilico Awards and the 2017 OSM Manulife Competition, her operatic credits include Barbarina in The Marriage of Figaro (National Arts Centre); Clorinda in WOW Factor: A Cinderella Story (Opera for Young Audiences [OYA]) and Lavia in Hadrian (COC); Blanche in Dialogues des Carmélites (Opera McGill); and Adele in Die Fledermaus (Opera McGill). Three-time winner of the Jacqueline Demarais Scholarship, Ms. Neher has also appeared as a soloist with Clavecin en Concert, Montreal Bach Festival, Orchestre Symphonique de Gatineau, Festival Schubert de Montréal and Festival Lanaudière. With the COC this season, she sings the roles of First Wood Nymph in Rusalka, the Sandman/the Dew Fairy in Hansel & Gretel, and Gretel in Hansel & Gretel (OYA).



Alex Soloway – Pianist and intern coach

Pianist Alex Soloway, from Ottawa, received his Master of Music from the Schulich School of Music at McGill University. While at McGill, he won the Chamber Music Competition (2015) and the Classical Concerto Competition (2017). He has performed in Canada, Europe, and the United States, including in the Canadian Opera Company’s Free Concert Series in the Richard Bradshaw Amphitheatre, the Mozarteum University in Salzburg, and Weill Recital Hall in New York. In 2018, he was an apprentice collaborative pianist at the Lachine International Vocal Academy and the Highlands Opera Studio. In 2019, he was the winner of the Best Pianist Prize at the Festival Classica 3rd International French Mélodie Competition. In the COC’s 19/20 season, Soloway will serve as rehearsal pianist for Rusalka, Hansel & Gretel, and The Flying Dutchman.
CORE TRAINERS

Liz Upchurch – Head of the Ensemble Studio

Liz Upchurch is a graduate of the Royal Academy of Music in London, England, where she won several prizes as solo pianist and accompanist. As a music director, vocal coach and repetiteur she has worked in 21st-century and traditional opera, music theatre, and theatre. She has also covered a wide range of working techniques with singers, actors and instrumentalists in community and educational projects. For many years she worked with young artists at the Britten-Pears School in Aldeburgh where she played for masterclasses with artists such as Anthony Rolfe Johnson, Suzanne Danco, William Pleeth and Dame Joan Sutherland. Ms. Upchurch has also worked at the Kammeroper Schloss Rheinsberg festival in Germany and the National Theatre in London. She held a faculty position in the 20th-century opera and song program at the Banff Centre for the Arts and was repetiteur and chorus director at Edmonton Opera. As a pianist she has performed all over Europe and has been broadcast with the BBC, Norwegian Radio and CBC. Ms. Upchurch also appeared as a judge on Bravo’s hit series, Bathroom Divas: So you want to be an opera singer!

Jennifer Swan – Performance Kinetics Consultant

As Performance Kinetics Consultant with the COC Ensemble Studio, Jennifer Swan works in private and group sessions with Canada’s top emerging singers. Her methodology creates, sustains and strengthens a singer's breath support, a technique which evolved from her extensive dance and Pilates background. Her voice method has also been an integral part of the program at the Centre for Opera Studies in Italy (COSI) since 2008. She joined the teaching team at St Andrews by-the-Sea in 2016, has been a regular guest lecturer at the University of Toronto’s voice studies program since 2010, and has led annual workshops at Choirs Ontario since 2012. As resident choreographer for the Toronto Children’s Chorus since 2011, she choreographed the world premiere of Nikmaq by Donald Patriquin as well as debuts of Tsimshian Welcome Chant by Patriquin in 2015 and Arctic Lights by Lori-Anne Dolloff in 2016. Ms. Swan has also worked extensively with various international Olympic athletes, including figure skaters Tessa Virtue and Scott Moir. She choreographed their award-winning Carmen in 2013 and their programs for the 2014 Olympics. Ms. Swan is the artistic director of Performance Architects/Swan Studio Dance and Children’s Dance Project in London, Ontario. She obtained her bachelor of arts degree (honours) in dance from the University of Waterloo.


Wendy Nielsen – Head Vocal Consultant

After a 25-year career on the international opera and concert stages, soprano Wendy Nielsen is now head of voice and assistant professor in voice and opera at the University of Toronto. She is also Head Vocal Consultant for the COC Ensemble Studio and maintains an active private voice studio in Toronto, teaching many of Canada’s prominent performers. Ms. Nielsen made her Metropolitan Opera debut in 1996 as Fiordiligi in Mozart’s Così fan tutte under the baton of James Levine. Subsequent performances at the Met over 12 seasons included: Countess Almaviva in The Marriage of Figaro, Micaëla in Carmen and Donna Elvira in Don Giovanni. Her international orchestral performances were numerous, notably opening the Lucerne Summer Festival as Elsa in Lohengrin with Ivan Fisher conducting the Budapest Festival Orchestra. Other significant performances included appearances with the Beijing Philharmonic; New York Philharmonic; Beethoven Festival in Krakow, Poland; Madrid Sinfonica; Prague Autumn Festival; Toronto Symphony Orchestra; Düsseldorf Philharmonic; and Montreal Symphony Orchestra. A native of New Brunswick, Ms. Nielsen attended Mount Allison University and earned a bachelor of music from the University of Lethbridge, as well as a master of music in opera from the University of British Columbia. She also holds three honorary doctorates and has garnered numerous awards recognizing her contributions nationally, provincially, and locally.

Steven Leigh – Lyric Diction Coach 

Steven Leigh works with the COC Ensemble Studio to achieve standard stage-language pronunciation in Italian, German, French and English repertoire. He is a PhD candidate at the University of Toronto’s (UofT) Ontario Institute for Studies in Education (OISE), where his research integrates pronunciation pedagogy theory with his background as a professional opera singer and linguist. Presentations of his research-in-progress have included a public demonstration-lecture with the COC's Spotlight Series, as well as workshops for the COC Orchestra Academy and Ensemble Studio.

He has also given masterclasses in opera lyric diction at UofT’s Faculty of Music and the Irish National Opera Studio, and has been a lyric diction instructor at the Canadian Vocal Arts Institute in Montreal and at Opera on the Avalon in St. John’s, Newfoundland. In addition to his work at the COC, Mr. Leigh teaches a series of lyric diction classes he developed for the Royal Conservatory of Music's Taylor Academy and has previously taught at the RCM's Glenn Gould School. Highlights as a singer include the world premiere performance of Srul Irving Glick’s A Life's Journey (Songs for Isaac) in Toronto, Don José with the Illinois Opera Theater, the Duke in Rigolettoat Fairfield Halls, England, and appearances in Montreal with the Cantabile Chorale and Orchestra. 



Upcoming Ensemble Studio Performances

All events are free unless otherwise indicated.

DECEMBER

Free Concert Series: Fairytales and Lullabies
Tuesday, December 10, 2019

12–1 p.m.
Richard Bradshaw Amphitheatre, Four Seasons Centre for the Performing Arts (145 Queen St. W.)

Imagination takes flight in this enchanting and mysterious program of fairytales and lullabies performed by artists of the COC Ensemble Studio. Let yourself be enticed into a world of fantasy where strange and beautiful things co-exist and the magic of the human voice reigns supreme.

Please visit the Free Concert Series page for more information.

Opera Express: Winter Whimsy
Friday, December 13, 2019

12 – 1 p.m.
West Wing of Union Station

Snuggle up with some hot chocolate and let the music sweep you away with this intimate performance of opera arias and songs that’ll warm your soul like a fireplace after a winter’s walk. Canada’s brightest young talents bring their voices to Union Station for your coziest winter commute ever.

Please visit the Opera Connect page for more information.

JANUARY

Music and Wellness: Yoga
Saturday, January 25, 2020
10:30 a.m.
Richard Bradshaw Amphitheatre, Four Seasons Centre for the Performing Arts (145 Queen St. W.)

Cost: general admission: $24 | student: $20.
Yoga Instructor: Madison Arsenault
Artists: Vartan Gabrielian, bass-baritone and Rachael Kerr, pianist

Music and mindfulness unite in harmony in the COC’s soaring Richard Bradshaw Amphitheatre. Feel the integration of live music and movement, as a singer and pianist weave uplifting melody into this unique yoga experience. These events are designed for all levels of ability. Just bring your own mat and we’ll bring the music; all instructors are accredited.

Please visit the Music and Wellness page for more information.

Opera Express: Music & Mental Health Lecture-Recital
Tuesday, January 28, 2020
12 p.m.
West Wing of Union Station

If you’ve ever sought out just the right track to unwind to after a long day at work or pump you up for a session at the gym, you know how music can affect our mood and state of mind. Explore the art and science behind how music can affect our physical, mental and emotional health with accredited music therapist and registered psychotherapist SarahRose Black and cellist Andrew Ascenzo.

Please visit the Opera Connect page for more information.

Free Concert Series: Meet the Orchestra Academy: Songs of Travel
Wednesday, January 29, 2020

12–1 p.m.
Richard Bradshaw Amphitheatre, Four Seasons Centre for the Performing Arts (145 Queen St. W.)

The COC Orchestra Academy is an opera-focused mentorship program that offers talented young instrumentalists exposure to world-class opera productions under the mentorship of professional musicians in the COC Orchestra. In this special concert, members of the Orchestra Academy perform alongside artists from the COC Ensemble Studio in a program that captures the spirit of wayfaring and grand adventure. At the heart of the program are the Songs of Travel by English composer Ralph Vaughan Williams, which were written at the turn of the 20th century.

Please visit the  Free Concert Series page for more information.
FEBRUARY

Opera Insights: An Evening With Ian Cusson
Thursday, February 20, 2020

7–8:30 p.m.
Richard Bradshaw Amphitheatre, Four Seasons Centre for the Performing Arts (145 Queen St. W.)

Join COC Composer-in-Residence Ian Cusson for an exploration of his artistic inspirations and creative process. This thoughtful examination of his work will be accompanied by performances from artists of the COC Ensemble Studio.

Please visit the  Opera Insights page for more information.

Free Concert Series: The Truth About Love   
Tuesday, February 25, 2020

12 – 1 p.m.

One is married, the other is resolutely single. Two musicians and friends explore all the facets of love in a fun and uninhibited musical conversation. From Schubert to Britten and from love to heartache, soprano Alexandra Smither and pianist Rachael Kerr combine personal anecdotes with pieces for voice and piano in their quest to demystify true love.

Please visit the  Free Concert Series page for more information.

MARCH

Music in the Atrium
Wednesday, March 4, 2020

12–1 p.m.
Princess Margaret Cancer Centre, 7th floor (610 University Ave.)

A moment of calm in your busy day: hear some of Canada’s finest voices as they sing a few of opera’s most sublime and sunny arias. Perfect for a winter’s day! Soprano Lauren Margison, tenor Matthew Cairns, bass-baritone Joel Allison, and pianist Alex Soloway perform their favourites  in this intimate performance.

Please visit the Opera Connect page for more information.

Free Concert Series: Opera for All Ages
Tuesday, March 17, 2020

12-1 p.m.
Richard Bradshaw Amphitheatre, Four Seasons Centre for the Performing Arts (145 Queen St. W.)

Artists of the COC Ensemble Studio playfully explore opera in a lively interactive March Break presentation. Audience members of all ages can listen to, learn about, and try their hand at the fascinating art of opera. This program is fun for the whole family and people of all abilities and exceptionalities!

Please visit the  Free Concert Series page for more information.

Opera Express: For Kids!
Wednesday, March 18, 2020

12-1 p.m.
West Wing of Union Station

Experience a March Break medley like no other! Canada’s brightest young opera talents bring their voices to Union Station for an interactive performance that hits the right notes with kids of all ages.

Please visit the Opera Connect page for more information.

Opera Insights: In the Rehearsal Room: Collaborative Piano
Tuesday, March 31, 2020

7 –8:30 p.m.
Education Centre, Four Seasons Centre for the Performing Arts (145 Queen St. W.)

You think singing opera is hard? Take a peek behind the scenes into a different type of virtuosity: the collaborative pianist. Artists in this unique line of work require more than quick fingers, as at any point they can be called upon to fill in and sing any role…in any language! COC Ensemble Studio pianist and intern coach Rachael Kerr introduces you to life in the rehearsal room in this 90-minute seminar and performance.

Please visit the Opera Insights page for more information.

APRIL

Free Concert Series: Collaborations
Thursday, April 9, 2020

12-1 p.m.
Richard Bradshaw Amphitheatre, Four Seasons Centre for the Performing Arts (145 Queen St. W.)

Singers from the young artist programs of the Canadian Opera Company and l’Opéra de Montréal join forces in a program of arias and ensembles. This performance features highlights from some of the world’s most beloved operas that enchant and enthrall.

Please visit the Free Concert Series page for more information.

Opera Express: New Works
Thursday, April 23, 2020

12-1 p.m.
West Wing of Union Station

Hear some of Toronto’s rising operatic stars of the Canadian Opera Company Ensemble Studio perform  contemporary works by Canada’s emerging and established composers.

Please visit the Opera Connect page for more information.

Free Concert Series: Into the Fire
Wednesday, April 29, 2020

12–1 p.m.
Richard Bradshaw Amphitheatre, Four Seasons Centre for the Performing Arts (145 Queen St. W.)

Artists of the COC Ensemble Studio are joined by artists of the COC Orchestra for a program of two contrasting song cycles written over 100 years apart. Camille Claudel: Into the Fire (2012) by Jake Heggie explores the tumultuous life of the brilliant sculptor Camille Claudel, who was the colleague and lover of Auguste Rodin. The House of Life (1904) by Ralph Vaughan Williams explores the concept of the sublime through rich sonorities and the evocative text of Dante Gabriel Rossetti.

Please visit the Free Concert Series page for more information.

Free Concert Series: Best of Brahms               
Thursday, April 30, 2020
12 – 1 p.m.

Principal clarinetist of the COC Orchestra Dominic Desautels, acclaimed cellist Julie Hereish, and Head of the COC Ensemble Studio and pianist Liz Upchurch present a program of late-Brahms chamber music. The first Sonata in F minor for clarinet and piano and the Trio for clarinet, cello and piano were written for, and dedicated to, the clarinet virtuoso Richard Mühlfeld. He was said to be so remarkable that Brahms came out of retirement to write these works for him.

Please visit the Free Concert Series page for more information.

MAY

Music and Wellness: Yoga
Saturday, May 2, 2020

10:30 a.m. - 11:30 a.m.
Richard Bradshaw Amphitheatre Four Seasons Centre for the Performing Arts

Cost: general admission: $24 | student: $20.
Yoga instructor: Priya Shah
Artists: Jamie Groote (mezzo-soprano) and Liz Upchurch (piano)

Music and mindfulness unite in harmony in the COC’s soaring Richard Bradshaw Amphitheatre. Feel the integration of live music and movement, as a singer and pianist weave uplifting melody into this unique yoga experience. These events are designed for all levels of ability. Just bring your own mat and we’ll bring the music; all instructors are accredited.

Please visit the Music and Wellness page for more information.

Free Concert Series: Les Adieux: Spirits Rising
Tuesday, May 19, 2020

12-1 p.m.
Richard Bradshaw Amphitheatre, Four Seasons Centre for the Performing Arts (145 Queen St. W.)

Soprano Lauren Margison and bass-baritone Joel Allison bid farewell to the COC Ensemble Studio with a performance of Four Last Songs by Richard Strauss and Four Serious Songs by Johannes Brahms. Both song cycles were written at the end of each composer’s life and explore the transience of life and what comes beyond.

Please visit the Free Concert Series page for more information.

Free Concert Series: Les Adieux: À Deux                    
Wed. May 20, 2020
12 – 1 p.m.

Soprano Anna-Sophie Neher and mezzo-soprano Simona Genga bid farewell to the COC Ensemble Studio with a program of songs and duets that showcases their individual voices, as well as their brilliant musical compatibility.

Please visit the Free Concert Series page for more information.








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